A flexible double act: The stereo set includes a matched pair of M 930 small membrane true condenser microphones. These microphones can be used for high-quality stereo recordings using the XY or ORTF techniques. Made by hand at the company headquarters in Heilbronn, Germany, the excellent craftsmanship of these microphones makes them reliable companions in the studio and live on stage.
A Matched Pair
At the end of the production process, the microphones are individually measured and then matched in pairs. A print-out of the measurement curves is included with your purchased stereo set.
Natural, authentic Sound
The MC 930 true condenser microphone has a natural, balanced sound. Thanks to its detailed bass response and high-resolution trebles, the MC 930 is perfect for use with a wide range of different sound sources. Whether for acoustic guitars, piano, hi-hats, overhead, choirs, orchestras, vocals or solo instruments of all kinds – the MC 930 is impressive when used with almost any sound source.
As easy as flipping a switch
Thanks to its switchable attenuation (-15 dB), the MC 930 can also be used with loud instruments. Disruptive bass frequencies and low-mid frequencies that are caused, for example, by impact sounds or proximity effects, can be minimised by the switchable low-cut filter of 6 dB/octave at 250 Hz. This microphone works with 11–52 V phantom power.
Fast, Faster, MC 930
The MC 930 includes a handmade true condenser capsule. The gold-vapourised diaphragm used in this microphone has excellent vibration and impulse behaviour. This makes signals sound natural and precise throughout the session. The excellent transient response allows percussive sounds to be reproduced extremely quickly.
Powerful for use with audio interfaces and mixing consoles
The MC 930 has one of the most powerful outputs (30 mV/Pa) among comparable microphones. This is a huge advantage, because it requires very little amplification.
A Cardioid pattern with specific advantages
The MC 930 boasts an almost frequency-independent cardioid polar pattern. This means it priorities sound from the front over sound from the sides. When it comes to sound from the back, the cardioid pattern offers the best possible attenuation. This means that this microphone is less susceptible to crosstalk, i.e. from other nearby sound sources. Thanks to all of these features, the MC 930 can be used in the studio as well as live on stage.
Powerful for use with audio interfaces and mixing consoles
The MC 930 has one of the most powerful outputs (30 mV/Pa) among comparable microphones. This is a huge advantage, because it requires very little amplification.
A Cardioid Pattern with specific advantages
The MC 930 boasts an almost frequency-independent cardioid polar pattern. This means it priorities sound from the front over sound from the sides. When it comes to sound from the back, the cardioid pattern offers the best possible attenuation. This means that this microphone is less susceptible to crosstalk, i.e. from other nearby sound sources. Thanks to all of these features, the MC 930 can be used in the studio as well as live on stage.
Quality made in Germany
Handmade in Germany to a high quality standard, the MC 930 true condenser microphone is distinguished by the workmanship that beyerdynamic is known for. Acoustically relevant components such as the true condenser capsule, the system suspension and the counter electrode are all produced in-house. This unique process allows us to produce products of consistently high quality and makes each MC 930 one of a kind.
A hard shell protecting a clever core
The high-quality true condenser capsule is protected by a durable solid metal housing that also has a significant effect on the sound thanks to its strategically placed holes. The microphone head includes a robust yet acoustically neutral sintered disc. Both the switchable pre-attenuation and switchable low-cut filter are integrated into the housing. Thanks to its low weight and compact dimensions, it is quick and easy to position.
Durable Materials
Our microphones are designed for daily use in professional conditions, which is why only durable materials are used in their construction. If the microphone nevertheless gets damaged, our service policy means that we can replace almost every part.
SOUND SAMPLES
FREQUENTLY ASKED QUESTIONS
The M Series microphones are an important part of our microphone history and have been synonymous with outstanding product quality for decades. With the facelift, we are leading the microphones into the future. Since the products have been produced for almost 70 years, it is important that production processes are regularly checked and adjusted. In addition, the design was adapted to comply with our current corporate design. All these measures enable us to have stable microphone production in the years to come.
First and foremost, the printing on the mics was changed. This way, our classic microphones speak the current design language of beyerdynamic. In addition, the heritage band recognizes the important fact that these mics are made in Germany. The new look combines tradition with future and expresses our microphone DNA. Sound-relevant components such as membranes or transformers have not been changed. The microphone grille of the M 88 is an exception (see the following points).
As a company, it is important to us that the known and beloved acoustic properties of the M Series microphones stay unchanged – that is why the microphone transducers and other sound-absorbing parts will be produced in the same way they have always been. Only the grille of the M 88 is an exception. As requested by many of our customers, the microphone grille will be available again in its original three-layered and fine-meshed form with the facelift.
Thanks to the now three-layer fabric, plosive sounds are dampened in a better way than in the previous version. The changed material of the microphone grille results in subtle changes in sound without changing the outstanding basic sound of the microphone.
No. We still manufacture in filigree handwork in Germany. What has changed are simply production processes to facilitate the work of our qualified personnel. In addition, we have replaced some glue connections with screw connections to provide better serviceability.
The names only change for the M 88 and the M 201, which will lose the suffix “TG”. For all other microphones, there is no change.
Eliminating the suffix ”TG“ for the M 88 and the M 201 is a way to clearly separate our M and TG product lines and move back to a consistent naming. Nothing has changed in terms of the robust construction of the microphones. The TG Series are touring gear and made for live performances. While ideal for studio use, the M Series microphones are still suitable for use in demanding live situations.
The service for the current models will continue for the next years.
